#Founder cal slomo cup movie#

(Maybe “Beasts” was too much like Romanian director Cristian Mungiu’s “R.M.N.,” which also deconstructs the tensions among European communities threatened by globalization and change. “Night” went on to win the César, while “Beasts” racked up nine Goyas in its native Spain, suggesting that both ought to have been in competition. There can be no question whom he considers to be the real threat in “The Beasts,” an unconventional yet idea-driven crime film that, like Dominik Moll’s “The Night of the 12th,” so thoroughly avoids sensationalizing the violence at its center that it all but flew beneath the radar at the 2022 Cannes Film Festival. Sorogoyen is constantly reminding audiences of the relationship between man and animal, from Antoine’s forest walks with his trusty Alsatian to the shotgun blasts fired by off-screen hunters. It’s an evocative ritual, representing the brute struggle between species - a metaphor that informs all that follows.

#Founder cal slomo cup movie#

The movie opens with slow-motion footage of a local tradition, called “A rapa das bestas,” in which rugged men grapple with wild horses, wrestling them long enough to trim their manes before turning the animals loose again. Or not changing them, as the case may be, since Antoine casts a deciding vote that prevents wind turbines from being installed, blocking the poor brothers from an easy payday.

These two have lived in the same spot all their lives and don’t take kindly to outsiders coming in and changing things. What they’re not prepared for is the open resentment of their xenophobic neighbors, 52-year-old Xan (Luis Zahera) and his brother, Loren (Diego Anido), who was kicked in the head by a horse at some point and has the jagged scar and blank stare to show for it.